Part of the massive if controversial ‘DAU’ project, this entry is backed by bold performances by its two actresses even if the film doesn’t quite achieve true power through provocation.
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Part of the massive if controversial ‘DAU’ project, this entry is backed by bold performances by its two actresses even if the film doesn’t quite achieve true power through provocation.
Mukherjee’s classic comedy revolving around an elaborate practical joke planned and executed by a newly-wedded man on his hapless in-laws is one of his most entertaining delights.
The theme of the ‘father figure’ dictates the narrative of this decent 9th instalment of the ‘Zatoichi’ series.
An astonishing sci-fi-drama that is also one of Spielberg’s very best, complete with awe-inspiring scenes and heartwarming embrace of humanity.
This underappreciated debut feature by Ken Russell is a refreshing and energetic French New Wave-influenced comedy bursting with ideas and saying a thing or two about breaking conservative moral codes.
With incredible restraint and backed by all-round excellent performances, Kubrick’s exploration into a revolting form of sexual obsession is remarkable for its implicit portrayal of an erotic relationship between a (step)father and his daughter.
A teenage girl fantasises about her favourite Bollywood star at the expense of a potential suitor for marriage in this surprisingly weak and sappy effort by Mukherjee.
A polished if sometimes overly-dramatised ‘Rashomon’-style account of the infamous and haunting 2008 Noida double murder case that till today no one knows the truth to.
Kubrick’s much-maligned first feature, while a sketchy exercise, is still (barely) watchable as it ruminates about war and existence, albeit in too self-important and vacuous a manner.
A young Steven Spielberg tries to master the art of suspense filmmaking in this highly thrilling telemovie.