Fellini’s mastery of form and style is there for all to revel in this autobiographical film about the psychological crisis of a film director.
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Fellini’s mastery of form and style is there for all to revel in this autobiographical film about the psychological crisis of a film director.
This early work by Fellini is truly one of his finest efforts, told in a fabulist style and with great emotional honesty.
A late career triumph by Billy Wilder that works effectively as a spiritual sequel to his legendary ‘Sunset Boulevard’, as he looked back at the glamour of Hollywood with sad ‘European’ eyes.
Cronenberg Jr’s second feature sees him tackle techno-existential sci-fi with more assurance (but also with more narrative convolution) in this gory tale involving mind-controlled assassinations.
Visually and aurally invigorating and mesmerising, yet challenging for viewers to connect with its titular character, Larrain’s latest may be a bold stylistic departure but is arguably his weakest effort in a long while.
A modest but effective Sundance award-winning drama about patriarchal conservatism rearing its ugly head as an older Bedouin daughter in a traditional Arab family awaits her fateful future.
A hard-hitting ‘survival’ film of sorts in two movements, one set in a rural Indian village and the other in Calcutta city, that depicts an ‘Untouchable’ couple’s severe hardship as they try to navigate poverty, helplessness, and even lawlessness, in a terribly unforgiving world.
Tati’s international breakthrough is his most optimistic film in what is a purely-conceived characterisation of the inimitable Mr. Hulot.
One of Billy Wilder’s greatest films, and a textbook example of how to do a noir so right… and so good.
This strong early effort by Chilean director Pablo Larrain is one of his edgiest character studies on nihilism and pop culture obsession in the context of political oppression.