Carol White’s excellent performance as a young working-class woman in Ken Loach’s first feature gives us a taste of late ‘60s UK and what it feels like to suffer from the misdeeds of men.
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Carol White’s excellent performance as a young working-class woman in Ken Loach’s first feature gives us a taste of late ‘60s UK and what it feels like to suffer from the misdeeds of men.
A fun, thrilling if sometimes disturbing ride, but it is not as substantial as ‘Raiders’ or ‘Crusade’.
Arguably the most iconic and memorable action-adventure film ever made and a textbook example of how Hollywood filmmaking can go so right.
The best parts of this decent Hollywood-style samurai epic are the heart-to-heart conversations between Tom Cruise and Ken Watanabe, backed by a lush, emotional score by Hans Zimmer.
Even a master filmmaker can misfire big time in this shallow and messy star-studded stab at telling the narrative of the infamous ‘Cuban Five’.
Part of the massive if controversial ‘DAU’ project, this entry is backed by bold performances by its two actresses even if the film doesn’t quite achieve true power through provocation.
Mukherjee’s classic comedy revolving around an elaborate practical joke planned and executed by a newly-wedded man on his hapless in-laws is one of his most entertaining delights.
The theme of the ‘father figure’ dictates the narrative of this decent 9th instalment of the ‘Zatoichi’ series.
An astonishing sci-fi-drama that is also one of Spielberg’s very best, complete with awe-inspiring scenes and heartwarming embrace of humanity.
This underappreciated debut feature by Ken Russell is a refreshing and energetic French New Wave-influenced comedy bursting with ideas and saying a thing or two about breaking conservative moral codes.