Continue reading →A weaker, overdrawn sequel that doesn’t quite know where to take the characters to—but it can be frightening at times, though also emotionally shallow.
Continue reading →A weaker, overdrawn sequel that doesn’t quite know where to take the characters to—but it can be frightening at times, though also emotionally shallow.
Continue reading →A straightforward adaptation of Stephen King’s novel that offers thrills and spills through an orthodox, tick-the-checkbox style horror movie, though the solid cast chemistry should win you over.
Continue reading →A high point in Gregg Araki’s inconsistent career that tackles a taboo subject matter whilst balancing its dreamy filmmaking style with raw fervour.
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An unexpected hit as a Chinese-centric rom-com, it doesn’t just open the door wider for cultural diversity in Hollywood studio-filmmaking, but is a decent genre offering in itself.
Continue reading →Tarantino is on (vintage) form here in this unexpectedly restrained work that is also one of the finest pictures of 2019.
Continue reading →A war movie that is intentionally ‘all talk but no action’—it doesn’t really make us feel for the characters, but we might just grasp the futility of being a cog in the machine.
Continue reading →It is occasionally funny, but it grows weary—and possibly pointless—after a while.
Continue reading →Jenkins’ love for his characters and a place and time long gone glows with warmth and radiance in this intoxicating slow-burner.
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The greater the realism, the greater the pretense of illusion it must strive for in this visually stunning, but ultimately vacuous, by-the-books retelling.
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One of the greatest of all animated films, “The Lion King” retains its power to compel, and packs an emotional wallop so strong it brings both sad and happy tears to one’s eyes.