Continue reading →An immensely well-crafted hero’s tale through space that explores existential ideas at a deliberate pace, but its final landing is not entirely convincing.
Continue reading →An immensely well-crafted hero’s tale through space that explores existential ideas at a deliberate pace, but its final landing is not entirely convincing.
Continue reading →A remarkably-realized film about the great British explorer Col. Percival Fawcett, yet it is James Gray’s patience with pacing that is most rewarding, with the film unfolding like a traditional biopic in the mould of an inspired tone poem on obsession and mystery.
Continue reading →A weaker, overdrawn sequel that doesn’t quite know where to take the characters to—but it can be frightening at times, though also emotionally shallow.
Continue reading →A straightforward adaptation of Stephen King’s novel that offers thrills and spills through an orthodox, tick-the-checkbox style horror movie, though the solid cast chemistry should win you over.
Continue reading →A high point in Gregg Araki’s inconsistent career that tackles a taboo subject matter whilst balancing its dreamy filmmaking style with raw fervour.
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An unexpected hit as a Chinese-centric rom-com, it doesn’t just open the door wider for cultural diversity in Hollywood studio-filmmaking, but is a decent genre offering in itself.
Continue reading →Tarantino is on (vintage) form here in this unexpectedly restrained work that is also one of the finest pictures of 2019.
Continue reading →A war movie that is intentionally ‘all talk but no action’—it doesn’t really make us feel for the characters, but we might just grasp the futility of being a cog in the machine.
Continue reading →It is occasionally funny, but it grows weary—and possibly pointless—after a while.
Continue reading →Jenkins’ love for his characters and a place and time long gone glows with warmth and radiance in this intoxicating slow-burner.