As a swords-and-sandals biblical epic, it is fairly spectacular, but remotely engaging.
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As a swords-and-sandals biblical epic, it is fairly spectacular, but remotely engaging.
Kubrickโs pitch-black Cold War comedy is absolute gold, intelligently poking fun at the sheer absurdity of nuclear war and rhetoric.ย
A didactic and dialogue-heavy thriller that is directed with confidence by Ridley Scott.ย
A “Gladiator-ised” Robin Hood without the right punch in this missed opportunity by Ridley Scott.
Architecture meets cinema in this minimalist if keenly observed, hauntological tale of two intimacy-starved artists living in a glass house in London as they prepare for its sale.
This is Huston in laissez-faire mode as a group of men with an ulterior motive to milk the riches of Africa meets unexpected obstacles in the form of a British couple, as the film explores human temptations of greed, lust and pride.ย ย ย
Hustonโs Venice Silver Lion-winning costume drama focuses much more on disabled French artist Henri de Toulouse-Lautrec than the infamous Paris nightclub that he frequently visits in this ruminative take on love and loneliness.ย ย
Kristen Stewart gives a top-tier performance of quiet rage as the tormented Princess Diana in this journey down a psychological hellhole that is as formally-crafted a film as youโll see this year.ย
Itโs well-made, but underwhelmingly conventional and perhaps too prim and proper to suggest that it has any real interest in diving deeper into the dirty sociopolitics of the time, settling unfortunately for a more sanitised, autobiographical Oscar-baiting family picture.
It may sometimes feel protracted, but Kordaโs bleak work about a black priest who tries to locate his estranged son in Johannesburg (shot on location) shows the fatalistic implications of apartheid at the personal level.