A French computer programmer attempts to create a game about WWII’s Battle of Okinawa but faces an existential crisis when history, memory and trauma become mediated by the throes of technological change in this spectral final feature documentary from one of cinema’s foremost experimenters.
Diop’s exceptional observational documentary about a French GP whose clinic is dedicated to serving refugees has tremendous emotional power, alongside its sobering insights on the vulnerability of the human condition.
A mother hopes to make amends with her daughter by cooking a special chicken dish in this striking French animation full of colours and vitality, set against the backdrop of a strike that has caused their town to come to a standstill.
This startlingly eye-opening documentary brings us deep into the human body, finding abstract beauty in its grotesque sights of tissue and organs, yet at the same time, it is also about the sounds of life and death—within and outside of bodies as surgeons chatter, equipment beep and hospitals bustle.
Chen’s third feature, shot in picturesque Greece with Cynthia Erivo, mostly works as a finely-drawn take on an unlikely friendship between a woman who fled her war-torn country and a somewhat passionless tour guide.
Kieslowski’s often overlooked middle installment of the famed trilogy may be one of his most mischievous if perverse films as a downtrodden, recently divorced Polish man plans an elaborate revenge plot against his French ex-wife.
A young woman’s unwavering stand against the shameful Iranian legal system is captured with both intimacy and exasperation in this insightful documentary about the case of Reyhaneh Jabbari, who was hanged for acting in self-defence against a rapist in 2014.
This beautifully animated adaptation of several Murakami’s texts is talky and philosophical as it flits between surrealism and a sense of groundedness, urging us to find or create meaning in life even when there might be none.
A housewife prostitutes herself to earn more money to enjoy life’s luxuries in Godard’s somewhat messy ‘anything goes’ takedown on consumerism, as he scathingly—and self-reflexively—goes off tangent in matters of language, the Paris city, love and more.
A Korean adopted by a French couple when she was a baby returns to Korea for the first time as a French woman in Davy Chou’s intimate if chastening third feature, backed by an excellent performance from Park Ji-min in her acting debut.
