Scott’s follow-up to ‘Prometheus’ is a full-scale R-rated blockbuster that will thrill mainstream adult audiences, maybe even fans, but it doesn’t hold a candle to the sheer filmmaking prowess of the first two ‘Alien’ films.
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Scott’s follow-up to ‘Prometheus’ is a full-scale R-rated blockbuster that will thrill mainstream adult audiences, maybe even fans, but it doesn’t hold a candle to the sheer filmmaking prowess of the first two ‘Alien’ films.
A naïve teenage girl gives birth but her wily mother has other sinister ideas in this well-directed Mexican drama that is not afraid to go down a morally contentious path.
Shot in nine long takes, this Tunisian drama about systemic failure economically if harrowingly shows us what it feels like to suffer under pervasive toxic masculinity, as a woman on a night out tries to seek justice after being sexually assaulted by several policemen.
Edgar Wright’s engaging if offbeat heist film ticks like clockwork, and is accompanied by a terrific iPod playlist for a soundtrack.
Even non-climbing enthusiasts will fall in love with Tommy Caldwell in this well-made documentary as he and his climbing partner attempt to free climb a route up the legendary El Capitan that had been deemed impossible to scale.
Spielberg’s journalistic procedural is a masterclass in supple filmmaking that is equally at ease portraying nuance as well as galvanising action.
This heartfelt, partially-animated documentary centering on a Japanese man who lost his wife in the 2011 tsunami doesn’t have any pretensions and works because of its sincerity.
Joan of Arc’s childhood is given a treatment that only Dumont could dream up—a period musical backed by heavy metal/rock music that is as madly fervent as it is wearisome.
Haneke’s attempt to find his singular voice in our modern, technological society feels uncannily familiar, though the film’s numerous themes don’t quite come across as typically succinct.
The constant intercutting between two related storylines—that of a White and Black family living in Mississippi in the 1940s—seems to have spread its narrative more thinly than intended, but this is still a crucial look at the ills of racism.