Alien: Covenant (2017)

Scott’s follow-up to ‘Prometheus’ is a full-scale R-rated blockbuster that will thrill mainstream adult audiences, maybe even fans, but it doesn’t hold a candle to the sheer filmmaking prowess of the first two ‘Alien’ films.

Rating: 3 out of 5.

Review #1,449

Dir. Ridley Scott
2017 | USA/UK | Sci-Fi/Horror/Thriller | 122 mins | 2.39:1 | English

M18 (passed clean) for sci-fi violence, bloody images, language and some sexuality/nudity

Cast: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Demian Bichir
Plot: The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination, and must attempt a harrowing escape.
Awards: 

Distributor: Fox

Accessibility Index
Subject Matter: Moderate
Narrative Style: Straightforward
Pace: Normal
Audience Type: Slightly Mainstream

Viewed: In Theatres
First Published: 20 May 2017
Spoilers: No


One thing’s for sure, Alien: Covenant is certainly more R-rated than Prometheus (2012), a film which originally was meant to start a franchise that would run parallel to the ‘Alien’ series in a kind of prequel-sequel-prequel-sequel thing. 

But now that Neil Blomkamp’s purported ‘Alien 5’ is more or less dead in the eyes of Fox, Ridley Scott’s latest would try to connect one step closer to the events of his landmark sci-fi horror, Alien (1979). 

In this context, Covenant does well to offer another follow-up chapter to Prometheus, but with a slightly different agenda—this is really a film about Michael Fassbender’s android character—and without too much excess baggage of self-indulgent philosophy and ideas on creation, though one could appreciate the grand world-building Scott and team have accomplished in both films. 

Which is why these two films when seen together ‘feel as if’ they are greater than the sum of their parts, but as individual films, there are flaws, predictabilities and contrivances in the screenwriting that leave a lot to be desired. 

As hinted, Covenant ups the violence and gore—I’m sure much to the delight of genre fans—and readily features premature hybrids of the xenomorph in its continuous evolution.  Perhaps too eagerly as these creatures seem to be more interested in their close-ups than to induce raw fear. 

“Look on my works, ye Mighty, and despair.”

Emerging star Katherine Waterston (Inherent Vice, 2014) and Billy Crudup lead the crew of the Covenant colonist ship in search of a habitable world for the future of humankind.  They stumble on a planet after picking up a rogue transmission.  And you know what ensues…

Covenant is such a hybrid animal that even its use of music—the haunting cues of Jerry Goldsmith’s score for the 1979 film, and Marc Streitenfeld’s main theme for Prometheus—is in fusion with Jed Kurzel’s original work. 

The film’s standout sequence comes early in the creature’s first back-bursting appearance, in my opinion, the only time Covenant oozes enough tension to hold a candle to the first two ‘Alien’ films. 

The rest of the film pales in comparison and doesn’t have that prolonged sustenance of suspense to thrill, which is a pity because the gore and creature violence are gleefully good.  Scott’s visuals, of course, have lost none of their grandeur and dark beauty. 

You can always count on him to impress and frustrate at the same time, which is why I await Scott’s follow-up to Covenant with equal anticipation and trepidation. 

Grade: B-


Trailer:

Music:

One Comment

  1. […] The answer is unfortunately no.  At best, it is an above-average work that you might have seen before over the years in various forms; at worst, it is Scott’s weakest film in a long while, and that’s saying something after such critical flops in this decade as Robin Hood (2010), The Counselor (2013), which I liked by the way, Exodus: Gods and Kings (2014), and Alien: Covenant (2017). […]

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