Two young Africans exiled in Belgium must navigate treacherous waters in the Dardennes’ latest social realist work, which is as clear-eyed and powerful as some of their finest output.
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Two young Africans exiled in Belgium must navigate treacherous waters in the Dardennes’ latest social realist work, which is as clear-eyed and powerful as some of their finest output.
The story of a radicalised young boy who desires to kill his schoolteacher is rendered with subtle but powerful strokes, making this one of the Dardennes’ most relevant films.
Another compelling gem from the Dardennes—tender, empathetic and mature, yet so deceptively simple.
Arguably the Dardennes’ most important film with a searing performance by debutant Emilie Dequenne, though its nauseating vérité style takes getting used to.
Now regarded as the first ‘Dardennes’ feature, this is an assured realist work about moral quandaries set to the tune of a coming-of-age film.