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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Blade, The (1995)

May 26, 2026 by Eternality Tan

Exploring #23: Mike De Leon

May 24, 2026May 24, 2026 by Eternality Tan

How to Divorce During the War (2026)

May 22, 2026May 22, 2026 by Eternality Tan

Useful Ghost, A (2025)

May 16, 2026May 16, 2026 by Eternality Tan

Citizen Kane (1941)

May 11, 2026 by Eternality Tan

Everybody to Kenmure Street (2026)

May 6, 2026May 6, 2026 by Eternality Tan

Eyes Without a Face (1960)

May 1, 2026May 1, 2026 by Eternality Tan

April (2024)

April 27, 2026 by Eternality Tan

Exploring #22: Piotr Szulkin

April 26, 2026 by Eternality Tan

Accattone (1961)

April 20, 2026 by Eternality Tan

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Category / Bonello, Bertrand

January 19, 2024August 27, 2025 by Eternality Tan

Beast, The (2023)

  • Bonello, Bertrand
  • 2023, Bertrand Bonello, France
  • 2 Comments

Bonello’s unclassifiable attempt at a David Lynch-meets-‘The Fountain’ sci-fi mashup is mysterious, meandering, alluring and confounding all at once, as it explores the nature of love, fear and memory as mediated by the threat of artificial intelligence.

⭐⭐⭐⭐

Rating: 3.5 out of 5.

Continue reading →
March 17, 2022November 13, 2022 by Eternality Tan

Coma (2022)

  • Bonello, Bertrand
  • 2022, Bertrand Bonello, France
  • 1 Comment

Bonello’s new ‘pandemic lockdown’ film is difficult to pin down—it’s disjointed yet free, disturbing yet human, as it experiments with form, content and aesthetics with varying results.

⭐⭐⭐⭐

Rating: 3.5 out of 5.

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April 24, 2020 by Eternality Tan

Nocturama (2016)

  • Bonello, Bertrand
  • 2016, Bertrand Bonello, France
  • 2 Comments

Bonello’s work about French homegrown terrorism is quite sensational in its thematic provocations and play with cinematic language. 

⭐⭐⭐⭐

Rating: 4 out of 5.

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July 17, 2019March 17, 2022 by Eternality Tan

Zombi Child (2019)

  • Bonello, Bertrand
  • 2019, Bertrand Bonello, France
  • 2 Comments

An overall fascinating if strange concoction that tackles big ideas of history, politics and culture, but not always in any purposeful direction.

⭐⭐⭐⭐

Rating: 3.5 out of 5.
Continue reading →
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