A tale about self-acceptance, this modest Studio Ghibli anime may take a while to get going, but it achieves some kind of emotional crescendo by its denouement.
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A tale about self-acceptance, this modest Studio Ghibli anime may take a while to get going, but it achieves some kind of emotional crescendo by its denouement.
The plot may involve repetition, but the dramatic power of its execution sees Zhang return close to the form of his early 1990s works.
It frequently feels like a self-admiring work intoxicated with its own style and mood, but this chic arthouse vampire indie, shot in the Persian language, offers a taste of honey amid the spillage of blood.
Sciamma’s nuanced if immersive coming-of-age drama fizzles out somewhat by the end, but her strong compassion for her characters remains resolute throughout.
It has its great moments, but Andersson’s ‘Living’ trilogy closes on a lacklustre and disappointing note.
Bold and visionary science-fiction, Nolan explores the soul of humanity in his darkest, most ambitious film yet.
An unconventional mystery-drama about the burden of personal guilt as Wang Xiaoshuai riskily pursues narrative fragmentation that ultimately rewards with a strong finale.
Polished yet brutally raw, this Ukrainian sign language film is an audacious piece of cinema.
A hip, strange, stylish, oddball-ish attempt by P.T. Anderson to capture the drug-fueled exploits of Thomas Pynchon’s eccentric detective operating in the dirty, seedy 1970s.
A drama-comedy that tells us painful truths about growing up (and old) through the kind of offbeat comedy that writer-director Noah Baumbach is synonymous with.