While Ray’s adaptation of his own mystery novel may feel protracted at times, its unhurried nature provides the simple pleasures of a laidback adventure as Feluda the detective must curtail the plans of two bumbling crooks exploiting a hallucinating kid.
Holy water from a temple is found to be contaminated in this decent adaptation of Henrik Ibsen’s play, situated within Ray’s cultural milieu as this straightforwardly-told drama sees science and religion cross swords.
A con-man who pretends to be an all-powerful spiritual guru is at the centre of Ray’s modest if stinging social commentary on the naivety of succumbing to blind faith.
Not as purely cinematic as some of his greatest works, but Ray manages to invoke feelings of introspection as a movie star gets a reality check from strangers—and fans—he encounters on a train.
Ray’s third adaptation of Rabindranath Tagore’s work late on in his career is a quietly-composed and deliberately-paced tale about the intertwining of domestic and national affairs.
Satyajit Ray’s only Hindi film is an engrossing treatment of how the pleasures of chess can take on political and symbolic significance.
Another extraordinary work by Ray, directed with a profound delicateness that translates into great performances and astonishing visual flourishes.
An extraordinary masterpiece by the great Satyajit Ray that captures the clash between tradition and modernity in a deeply poetic, melancholic (and musical) way.
Ray’s powerful follow-up to ‘Pather Panchali’ has moments of exquisite emotional beauty and a deep sense of coming-to-terms with an ever-changing, sobering reality.
Eternality Tan 