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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Oscars 2026 Prediction

March 15, 2026March 16, 2026 by Eternality Tan

Beaches of Agnes, The (2008)

March 12, 2026 by Eternality Tan

Secret Agent, The (2025)

March 6, 2026 by Eternality Tan

Trial, The (1962)

March 2, 2026March 2, 2026 by Eternality Tan

Exploring #20: Joachim Trier

February 28, 2026 by Eternality Tan

Silence de la mer, Le (1949)

February 21, 2026 by Eternality Tan

Leningrad Cowboys Go America (1989)

February 17, 2026February 17, 2026 by Eternality Tan

Outguess ET 2026 – Oscars Prediction Contest

February 13, 2026 by Eternality Tan

All the Beauty and the Bloodshed (2022)

February 10, 2026February 19, 2026 by Eternality Tan

Sentimental Value (2025)

February 6, 2026February 16, 2026 by Eternality Tan

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Category / Criterion Collection

May 4, 2020May 4, 2020 by Eternality Tan

Rumble Fish (1983)

  • Coppola, Francis Ford, Criterion Collection
  • 1983, Francis Ford Coppola, USA
  • Leave a comment

A feverish attempt at exploring the nature of wasted youth with strong visual and aural stylings that canโ€™t quite hide its meandering narrative.

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Rating: 3 out of 5.

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May 1, 2020May 5, 2023 by Eternality Tan

Zatoichi and the Chest of Gold (1964)

  • Criterion Collection
  • 1964, Japan, Kazuo Ikehiro, Zatoichi
  • 1 Comment

This sixth installment benefits from the wild, manic energy sustained by relatively new director Kazuo Ikehiro.

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Rating: 3.5 out of 5.

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April 26, 2020May 7, 2020 by Eternality Tan

Dead Man (1995)

  • Criterion Collection, Jarmusch, Jim
  • 1995, Jim Jarmusch, USA
  • 5 Comments

A stylish revisionist anti-Western masterpiece by Jim Jarmusch that is both surreal, spiritual and poetic, backed by a stunning improvised โ€˜liveโ€™ score by Neil Young.

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Rating: 5 out of 5.

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April 20, 2020 by Eternality Tan

State of Siege (1972)

  • Costa-Gavras, Criterion Collection
  • 1972, Costa-Gavras, France
  • Leave a comment

Costa-Gavras sets his sights on Latin America in this superbly-constructed political-thriller that raises questions about the United Statesโ€™ complicit involvement in counterinsurgency, torture and violence.

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Rating: 4.5 out of 5.

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April 18, 2020May 24, 2024 by Eternality Tan

Home and the World, The (1984)

  • Criterion Collection, Ray, Satyajit
  • 1984, India, Satyajit Ray
  • 1 Comment

Rayโ€™s third adaptation of Rabindranath Tagoreโ€™s work late on in his career is a quietly-composed and deliberately-paced tale about the intertwining of domestic and national affairs. 

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Rating: 4 out of 5.

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April 18, 2020July 9, 2021 by Eternality Tan

Au revoir les enfants (1987)

  • Criterion Collection
  • 1987, France, Louis Malle
  • Leave a comment

One of Malle’s finest works, this restrained drama builds up slowly, only to leave you emotionally shattered by the end of it. 

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Rating: 4.5 out of 5.

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April 17, 2020May 5, 2023 by Eternality Tan

Zatoichi on the Road (1963)

  • Criterion Collection
  • 1963, Japan, Kimiyoshi Yasuda, Zatoichi
  • 2 Comments

It does feel overly-plotted, but this fifth โ€˜Zatoichiโ€™ installment builds up to an all-out street gang war.

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Rating: 3.5 out of 5.

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April 9, 2020 by Eternality Tan

One Sings, the Other Doesn’t (1977)

  • Criterion Collection, Varda, Agnes
  • 1977, Agnes Varda, France
  • 1 Comment

Vardaโ€™s beautiful work about the deep friendship between two French women trying to find meaning in their womanhood is fiercely feministic underneath its warm, understated filmmaking style.

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Rating: 4.5 out of 5.

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April 8, 2020October 2, 2022 by Eternality Tan

Chimes at Midnight (1966)

  • Criterion Collection, Welles, Orson
  • 1966, Orson Welles, Spain
  • 1 Comment

Arguably Orson Wellesโ€™ finest hour as a director and actor, this resurrected masterpiece remains to be one of cinemaโ€™s most extraordinary adaptations of Shakespeare. 

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Rating: 5 out of 5.

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April 5, 2020May 9, 2020 by Eternality Tan

Trafic (1971)

  • Criterion Collection, Tati, Jacques
  • 1971, France, Jacques Tati
  • Leave a comment

This late career work by French comic master Jacques Tati has uncharacteristic pacing problems, though if you like automobiles, it is a charming snapshot of cars and trucks of the early 1970s.

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Rating: 3.5 out of 5.

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