Ray’s powerful follow-up to ‘Pather Panchali’ has moments of exquisite emotional beauty and a deep sense of coming-to-terms with an ever-changing, sobering reality.
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Ray’s powerful follow-up to ‘Pather Panchali’ has moments of exquisite emotional beauty and a deep sense of coming-to-terms with an ever-changing, sobering reality.
Ken Loach’s take on the perils and false hopes of the gig economy is at once heartbreaking and angry.
Another compelling gem from the Dardennes—tender, empathetic and mature, yet so deceptively simple.
Arguably the Dardennes’ most important film with a searing performance by debutant Emilie Dequenne, though its nauseating vérité style takes getting used to.
Now regarded as the first ‘Dardennes’ feature, this is an assured realist work about moral quandaries set to the tune of a coming-of-age film.
Superb political mystery-thriller that is stimulating, and featuring magnetic performances from Jack Lemmon and Sissy Spacek.
An affirmation of values of love and compassion, this sentimental film banks on Tom Hanks’ genial performance as the famous Fred Rogers.
There’s something anachronistic about its visual style, but Mark Jenkin’s modern 16mm experiment about social tensions in an English fishing village largely impresses with its extraordinary use of nearly all manner of montage.
One of the most visually-stunning biopics ever made, this complexly-layered work about art, politics, memory and imagination is arguably Paul Schrader’s finest moment as a filmmaker.