Continue reading →Jarmusch’s understated film about a bus-driving poet is both a charming and tranquil experience.
Continue reading →Jarmusch’s understated film about a bus-driving poet is both a charming and tranquil experience.
Continue reading →Jim Jarmusch’s third feature is difficult to pigeonhole, in what is a stylishly shot piece that works as an offbeat if poetic comedy.
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One of the greatest modern transgressive American films ever made, directed by Todd Solondz with remarkable sensitivity and total control of tonal shifts.
Continue reading →A slow and thematically dense drama about forgiving, forgetting, and remembering, backed by a decent ensemble performance.
Continue reading →One of Marvel’s weaker efforts to date—it is neither consistently compelling nor has the gravitas of a solidly-mounted studio movie, though it should at least mildly please fans.
Continue reading →Schnabel’s latest is about capturing the psychological essence of Van Gogh’s ingenuity/insanity – it may take a while to get into some kind of momentum, but Willem Dafoe’s fascinating performance helps it through its less than invigorating portions.
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A return to form of sorts for Jonathan Demme, who directs one of Anne Hathaway’s finest performances.
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Rocking, grooving fun in this unpredictable and offbeat picture that impresses in its seamless shifts in tone and great chemistry between the two leads.
Continue reading →Jonathan Demme’s finest two hours is also one of the greatest films to emerge from the ‘90s.
Continue reading →An excellent documentary on world-renowned rock climber Alex Honnold, detailing what could be the most mind-blowing feat in modern human history—his ambition and determination to climb a 300-storey high natural rock wall… with no safety rope.