Laszlo Nemes’ second feature sees him reprise his “Son of Saul” technique—the long-take closeup in shallow focus—on a sprawling period drama, but with varying results.

Laszlo Nemes’ second feature sees him reprise his “Son of Saul” technique—the long-take closeup in shallow focus—on a sprawling period drama, but with varying results.
Continue reading →A Holocaust film shot with confronting immediacy in what is possibly one of the most shattering and intense of screen experiences in recent memory.