Kurosawa’s magnum opus is a glorious triumph and the standard-bearer for bravura epic filmmaking, still yet to be surpassed.
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Kurosawa’s magnum opus is a glorious triumph and the standard-bearer for bravura epic filmmaking, still yet to be surpassed.
Lust and personal resolve collide in Rohmerโs first feature in colour, lensed with warmth and sensuality by Days of Heavenโs Nestor Almendros.
This Cannes Palme d’Or winner is a masterful, humanistic attempt at capturing the issue of immigrants, through the perspective of a ‘family’ of Tamils at a transitory point in their lives.
The film that launched Japanese cinema into serious international reckoning, and quite simply one of Kurosawaโs very best.
A solid early work by Kurosawa in what is a clever cat-and-mouse chase that leads to an emotional climax.
Banned for a short while in France, Godardโs second feature boldly and stylistically depicts the moral complexities of the Algerian war, throwing audiences at the time an early political curveball.
As fascinating as it is arcane, this visually and aurally arresting work from Armenia defeats categorization, but is indescribably hypnotic.
Jackie Chan puts on a rare snarly front as a framed police officer out to clear his name in this terrific spectacle of death-defying stunts and goofy comedy, still regarded as one of his finest achievements.
A fiery doctor and an ill gangster form a love-hate bond in Kurosawaโs striking first collab with Toshiro Mifune, a tale of changing times amid out-of-fashion masculine codes of honour.
This banned and long-lost Iranian debut feature, boosted by a stunning restoration, is a genuine eye-openerโsubversive, progressive, and a formidable take on how power and greed are symptomatic of patriarchy and nobility.