‘Exploring’ features the filmographies of filmmakers that I’ve largely completed and celebrates them on the week of their birthdays.

‘Exploring’ features the filmographies of filmmakers that I’ve largely completed and celebrates them on the week of their birthdays.

An enjoyable sophomore rom-com from Triet about ‘courtrooms and bedrooms’ as a lawyer’s personal life becomes murkily entwined with her professional exploits.
A married man finds out that his ex-lover and her husband have moved into a neighbouring house in Truffaut’s penultimate feature about the inevitability of extramarital affairs—it covers familiar thematic ground but the director’s sure-handed grip on the narrative gives it illicit thrills.
The sheer human will to survive is depicted in this unimaginably true story that is told viscerally and sensitively, based on the tragic Andes flight disaster of 1972.
The 11th edition of my annual Oscar prediction contest is back!
I will share my predictions on the weekend of 8-10 Mar. The Oscars will happen on Mon 11 Mar, 7.00am (SGT).
Instructions:
How to win:
If you win, you will receive the following prize (pick one):
Here are the 23 categories in contention:
Have fun and good luck!
A stylish, aesthetic tour de force, particularly in the use of rear projection techniques, this noir-ish melodrama about an American train conductor in 1945 Germany tells of the precarious postwar atmosphere of remnant Nazism.
This could be Seidl’s most provocative work about the moral slippage of religious fanatics, as the faith of an extremely devoted Catholic Austrian woman is tested by the unexpected return of her handicapped Muslim husband.
This Locarno Golden Leopard winner, through its radical film language and vibrant experimentation with form, speaks to the disenchanting African experience in France where the Blacks have been continually ostracised, discriminated and exoticised.
A masterful crime thriller by Melville with one of the most intricate heist sequences ever shot.
Harrowing but essential, this ground-zero document of Russia’s invasion of Ukraine from the vantage point of an Associated Press journalist in the besieged city of Mariupol bluntly reminds us of the humanitarian cost of war.