Aaron Sorkin’s directorial debut doesn’t break new ground, but offers familiarity including his penchant for rapid-fire conversations that are delivered with gusto by Jessica Chastain and Idris Elba.
The 31st Singapore International Film Festival (SGIFF) will adopt the hybrid format with cinema and online film screenings from 26 November to 6 December 2020, featuring more than 70 films across 49 countries. There will be numerous live online panels as well, which can be accessed both locally and overseas.
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Rohmer plays an elaborate, frolicky game of relationship misunderstandings and coverups in his third ‘Comedies & Proverbs’ series, as most of the characters try to make sense—with sheer incompetence—what the meaning of love is.
Breezy, fun but also dark, Ozon’s non-linear gay romance doesn’t really cut deep, but mostly works because it knows how to have a good time.
Mizoguchi’s superb late career form continues with this masterful period drama about strict social norms and gender roles, with themes of adultery and romantic passion giving it thematic complexity.
A young woman becomes her married boss’ mistress to help her debt-ridden father in this ‘30s classic from Mizoguchi that would pave way thematically for his later films about ‘fallen women’.
There may not be much action, but this quite solid 12th instalment takes its time to give us well-developed characters in a narrative about strategic one-upmanship.
Contemporary Indian avant-garde cinema at its artistic peak, Amit Dutta’s unclassifiable portrait of a famous 18th-century Indian painter is an astonishing poetic and sensorial experience.
Shot over three years in the Middle East, Rosi’s beautiful and graceful documentary pits the human desire for normalcy against the unending cycles of death and destruction.
Eternality Tan 