This unconventional and intoxicating concoction by P.T. Anderson oozes style, rhythm, and idiosyncrasy.
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Punch-Drunk Love (2002)
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Tag / USA
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Magnolia (1999)
A masterful tapestry of interwoven stories and interconnected characters – this is one of P.T. Anderson’s finest hours.
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Lighthouse, The (2019)
Nightmarish if also baffling, Eggers’ sophomore effort is a strong one with compelling physical performances by Willem Dafoe and Robert Pattinson.
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Waves (2019)
At times intoxicating, the film’s kaleidoscopic approach to exploring the depths of human emotions is invigorating and refreshing.
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Witch, The (2015)
Eggers’ first feature is remarkable in its precision and economy, and no doubt one of the most bone-chilling horror films to come out in the last few years.
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Little Women (2019)
Backed by superb performances, particularly from Saoirse Ronan and Florence Pugh, Greta Gerwig’s screen adaptation of Louisa May Alcott’s classic novel is refreshing, poignant and utterly compelling.
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Marriage Story (2019)
Led by two quite effective leads in Adam Driver and Scarlett Johansson, Baumbach’s film about the perils of marriage and the pain of divorce has moments to savour.
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Chinatown (1974)
Polanski’s greatest accomplishment, and one of the finest American films ever made from the ’70s.
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While We’re Young (2014)
A drama-comedy that tells us painful truths about growing up (and old) through the kind of offbeat comedy that writer-director Noah Baumbach is synonymous with.
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Greenberg (2010)
A passive character study disguised as a romantic-comedy that feels too laidback for it to work convincingly.
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Eternality Tan 