One of Clint Eastwoodโs better efforts, this well-performed drama about the 1996 Atlanta bombings is efficiently told with just the right amount of sentiment.
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One of Clint Eastwoodโs better efforts, this well-performed drama about the 1996 Atlanta bombings is efficiently told with just the right amount of sentiment.
Thereโs something rather shallow and underwhelming undergirding the audacious if controlled techniques on display in Sam Mendesโ high-concept WWI film.
Despite its seemingly modest if meta-cinematic setup, Kore-edaโs first film made in the West with big stars reveals layers of subtlety and emotions that creep up genteelly to the surface.
A great and promising film when it is in Portuguese, but suffers several tonal missteps when English takes over in this strange work about politics, class and violence.
This is a quiet and unassuming work about a real-life lawsuit against a chemical company accused of toxic poisoning, but Haynesโ unhurried filmmaking style feels like a mismatch for its content.
A stylish work with visual flourishes and audacious, violent set-pieces, but this โkiller-on-the-runโ effort by the promising Diao Yiโnan seems fated to fall flat in its storytelling as it progresses.
Authentically depicting the academic struggles of several students from the Normal Technical stream in a Singapore neighbourhood school, this illuminating documentary is a must-watch for teachers, students and parents hoping for a pedagogical way forward.
Its approach to interpreting one of the darkest chapters of 20th century history has a whiff of callous innocence, but it ultimately gives way to a heartwarming if idiosyncratic satire on the need for human empathy.
A disappointment by Tibetโs standout filmmaker, whose beautifully-shot picture is a cautionary tale of packing too many themes into one story and losing grasp of its tone.
Thereโs ample spectacle on display, but barely sufficient characterisation to make us feel anything for the ragtag group of protagonists.