Continue reading →Kubrick’s dystopian masterpiece frustrates, angers, provokes, and ultimately floors you in ways unlike that of other great films.
Continue reading →Kubrick’s dystopian masterpiece frustrates, angers, provokes, and ultimately floors you in ways unlike that of other great films.
Continue reading →Kubrick’s most influential film still remains way ahead of its time and is arguably the greatest sci-fi film ever made.
Continue reading →One of the most potent anti-war films ever made… so powerful it makes your blood boil at how some humans can be so despicable.
Continue reading →Kubrick treats the crime-noir genre in a revolutionary non-linear storytelling way in what is one of the most effective American heist films ever made.
Continue reading →The film that launched Almodovar internationally as an auteur is a tragicomic screwball farce whose effortless execution is as impressive as it is sublime.
Continue reading →Varda’s work here is under-appreciated—a layered and surreal collision of imaginary and abstract ideas about a writer’s creative process, and one might even say a tonal antecedent to the modern pictures of Yorgos Lanthimos.
Continue reading →Religion and politics collide in frightening ways in this based-on-a-true-story ‘docu-drama’ that ranks as one of Mexican cinema’s greatest films.
Continue reading →Five uneven vignettes shot in different cities centering on conversations between cab drivers and passengers—this is Jarmusch in easy-going mode as he captures the pathos of human connection.
Continue reading →This is one of the highest peaks of Almodovar’s career, an exquisite work about women and grief, yet with his assured touch, it all seems so life-affirming and universal.
Continue reading →Renoir’s extraordinarily beautiful work, shot entirely in India in Technicolour, is a triumph of cross-cultural storytelling as it meditates on the ephemerality of life.