Powerful, poetic and sublime, this could be Pasolini’s magnum opus and arguably the greatest film about the life of Jesus Christ.
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Powerful, poetic and sublime, this could be Pasolini’s magnum opus and arguably the greatest film about the life of Jesus Christ.
Quite a strong debut by Pasolini in the tradition of neorealism, with a harsh, fatalistic tone.
Scorseseโs entertaining Bob Dylan documentary doesnโt really go very deep but it is an indelible time capsule as it tracks the legendary artisteโs defining 1975 tour across America.
Chan does his stunts and comedy with aplomb, but this sequel is let down by a wafer-thin plot and poor pacing.
A depressing, slow-burning gay drama that only Fassbinder (also fantastic in the lead role) could have conceivedโfull of pathos and rich in its depiction of the milieu of a class-divided queer community.
A terrific Zatoichi flick and one of the seriesโ very best, Misumiโs focus on story and characterisation is the real sleight-of-hand here in this slower but well-paced movie.
Itโs so simpleโtwo men go on an impromptu camping tripโyet Reichardtโs cinema of healing is deeply insightful about the ephemeral nature of life and friendship.
Under Cocteauโs inventive sleight-of-hand, this early postwar work may be the most magical and poetic adaptation of the beloved fairy tale ever filmed.
Possibly the finest and most fully-realised of his early works, Wes Anderson tells a quirky story about a family full of eccentric, estranged members looking for some measure of redemption and reconciliation.
Petzold’s unique treatment of the doppelganger story as a Hitchcockian exercise in exorcising the Jewish-German trauma of WWII boasts an extraordinary denouement of unparalleled execution.