Not a Mike & Sulley star vehicle, but it comes close to capturing the magic of Pixar’s most fun-ness of endeavours.
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Not a Mike & Sulley star vehicle, but it comes close to capturing the magic of Pixar’s most fun-ness of endeavours.
An easy-going Thai movie about the need to let go of the past that gets the balance between comedy and serious drama just about right.
This is a brief personal opinion piece about the stormy controversy over Roman Polanski’s Best Director win at the Cesar Awards for his film, AN OFFICER AND A SPY (2019).
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Tarkovsky’s vignette-style medieval epic is possibly the greatest ideological film about a psychologically-conflicted artist trying to understand the epoch he lives in.
You’ll be surprised that two religious old men chatting about their struggles with faith and their pasts can be so engrossing in Fernando Meirelles’ breezy drama.
One of the most satisfying entries in the series, this third installment has a substantial and emotional storyline to match its superb action.
Inventive and almost whimsical look at love and sex in this explicit if heartwarming coming-of-age tale.
Kiarostami leaves us with a work of indelible beauty, continuing his fascination with the phenomenology of cinema and its relation to the ephemeral.
Shot in Japan with a Japanese cast, Iranian master Kiarostami gives us a rueful but tender film about the nature of love, desire and liking.
Kiarostami’s first non-Iranian film is engaging, but the male lead is unable to hold his own against Juliette Binoche.