Chaplin’s greatest box-office success in the silent era remains a cultural touchstone—a parable of greed, romance and peril that is as hilarious and touching now as it was a century ago.
Continue reading →
Chaplin’s greatest box-office success in the silent era remains a cultural touchstone—a parable of greed, romance and peril that is as hilarious and touching now as it was a century ago.
An enjoyable early murder mystery by Hitchcock that explores how theatre and life can intertwine in what is a precursor to the likes of ‘Stage Fright’ and ‘The Wrong Man’.
An under-appreciated oddball of a film by Alain Resnais that dabbles with US-French cultural idiosyncrasies as well as the tension between popular culture and intellectual scholarship.
One of Hitchcock’s most underrated works—and it sees the director at his most patient, crafting a tale that builds up spellbindingly.
No matter how many times you see it, it still holds up well as one of Hitchcock’s most morbid and suspenseful works.
An underrated gem by Hitchcock about psychoanalysis and the guilt complex, featuring a stirring Oscar-winning score by Miklos Rozsa.
A relentless if chaotic sound design intensifies this controversial ensemble drama about a group of middle-class European terrorists trying to find an impetus for action amid the lull of domestication.
Chow Yun-Fat and Cherie Chung sparkle in Mabel Cheung’s earnest and easy-going romance, shot in the grimy streets of New York.
Art, crime and the human condition intersect deftly in this beguiling documentary about the unlikely friendship between a painter and the thief who stole her paintings.
A skimpy storyline and uninteresting lead characters mar this artistic antecedent to ‘Moulin Rouge’ and ‘La La Land’.