In the pantheon of Southeast Asian cinema, this stands as one of the finest films – bold, bleak and uncompromising.
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In the pantheon of Southeast Asian cinema, this stands as one of the finest films – bold, bleak and uncompromising.
This strong debut feature on the African immigrant experience in the US is told via an unconventional triptych structure that explores with uncommon nuance the subjectivity of personal truths and experiences.
This less celebrated entry in Fassbinder’s BRD trilogy is a biting take on capitalism and the commodification of the body as postwar Germany rebuilds.
This meta-cinematic, self-reflexive experiment by Assayas is one of his most fascinating films, featuring an alluring Maggie Cheung in latex.
Arguably Zhang’s masterpiece, this plays out like an opera, at times ceremonial, at times tragic, but always tense and captivating.
A haunting circular tragedy, Zhang Yimou’s tale of passion, lust and angst in rural China is a visual powerhouse.
Zhang Yimou’s greatest achievement comes in the form of this intimate and emotionally devastating through-the-decades account of one Chinese family’s tumultuous existence through the momentous times of the Cultural Revolution.
While it may be rather underwhelming, Herzog’s gentle docu-fiction explores our need to connect with another human being despite the increasing commodification of human experiences in modern societies.
One of the greatest documentaries about the making of a movie ever—and of ‘Apocalypse Now‘ no less.
An abortion drama told introspectively from the perspective of two teenage girls who must chart their own path in this tender third feature by rising filmmaker Eliza Hittman.