It doesn’t always work, but Zhang Yimou’s delayed new picture, about a man trying to find a reel of film that contains a shot of his long-lost daughter, features stunning performances from Zhang Yi and newcomer Liu Haocun.
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It doesn’t always work, but Zhang Yimou’s delayed new picture, about a man trying to find a reel of film that contains a shot of his long-lost daughter, features stunning performances from Zhang Yi and newcomer Liu Haocun.
Kurosawa’s Noh-influenced take on ‘Macbeth’ is elemental, engrossing and one of the greatest screen adaptations of Shakespeare.
An assured feature debut from Mia Hansen-Løve who deals with the film’s father-daughter bond/estrangement with a clear-eyed sensitivity.
A landmark ‘90s sci-fi masterpiece with that rare combo of style and substance—two decades later, it loses none of its sobering philosophical inquiry.
Mattie Do somehow makes this Laotian drama with horror elements work despite a convoluted denouement.
Magical yet haunting, Cocteau’s reimagining of the Orpheus myth in France during the Beatnik 1950s is a cinephile’s treat.
Arguably Rohmer’s most iconic ‘moral tale’—the plot of an older man’s fetish for a teenage girl’s bare knee makes for great philosophical musings about the nature of lust and love.
Now canonized by The Criterion Collection, Ghatak’s beloved tragedy about the poor fishing villages on the banks of the river Titas is meandering to a fault, but is imaginative and poetic.
The great Jacques Audiard’s first English-language film entertains with strong performances by Joaquin Phoenix and John C. Reilly, tackling the Western genre with rare wit and verve.
One of Kurosawa’s lesser urban dramas that deals with the trauma and anxiety of nuclear annihilation through the eyes of a paranoid old patriarch.