Sofia Coppola returns to contemporary urban filmmaking in this charming indie about marriages and affairs as a young mother and her womanising father try to make sense of the trajectory of their current lives.
A gentle if slight film from Sofia Coppola that sees her going for a low-key character study of a burned-out Hollywood actor.
An empty film with shallow characters, this is Sofia Coppola’s worst hour as a filmmaker.
It is as if Charlie Kaufman had reimagined ‘The Shining’ in a whole new dimension—this indescribably cerebral and atmospheric film, an adaptation of the 2016 novel of the same name, enthrals as much as it frustrates.
One of the most complex and innovative original screenplays of the 2000s decade, Nolan’s early masterwork is a terrific mystery-thriller told in reverse-chronological order.
Nolan’s work here is a sci-fi sledgehammer—a mind-numbing head-scratcher on the first viewing, but the confoundment subsides when you do a ‘temporal pincer movement’ on yourself with each subsequent viewing, which is really how you should experience his latest ambitious if at times overbearing cinematic Sudoku puzzle.
Nolan’s magnum opus – a complex, cerebral and utterly riveting Hollywood blockbuster of the highest order.
Bold and visionary science-fiction, Nolan explores the soul of humanity in his darkest, most ambitious film yet.
A staggering technical and visual storytelling achievement, Nolan’s WWII epic continues his unparalleled run of blockbuster form.
Stunning contributions by cinematographer Roger Deakins and composer Philip Glass aside, Scorsese’s religious biopic about the 14th Dalai Lama sometimes feels inert and uninspired from a narrative point-of-view.
Eternality Tan 