Edgar Wrightโs engaging if offbeat heist film ticks like clockwork, and is accompanied by a terrific iPod playlist for a soundtrack.
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Edgar Wrightโs engaging if offbeat heist film ticks like clockwork, and is accompanied by a terrific iPod playlist for a soundtrack.
A meta-comedy that is conscious about its fun-ness, though not all of the gags hit the sweet spot in this final installment of Edgar Wright’s ‘Cornetto’ trilogy.
Nightmares donโt get any more intense and slicker than in Edgar Wrightโs latest genre-mashing effortโa fun, psychological thriller about a young woman who discovers that she can time-travel through her dreams.
Feels modern in full-throttle blood-spurting style, yet also wholly in period with Shakespearean-speak โ a violent, beautiful if occasionally emotionally distancing screen adaptation of the famous text.
The Oscar-winning directors of ‘Free Solo’ tackle with lucidity and suspense the incredible international rescue efforts of a group of Thai boys trapped deep in a flooded cave back in 2018.
Whimsicality meets witticism in this delightful supernatural comedy adapted by Lean from Noel Cowardโs sensational record-breaking theatre hit.
Thereโs both a sense of energy and listlessness to the filmmaking, with a story or two waiting to pop out, but that never materializes through the course of this sprawling, ambitious road movie.
Truth is the weakest currency in Ridley Scottโs generally solid stab at a Rashomon-esque historical epic set in medieval France during the Hundred Yearsโ War.ย
Flies the British social realism flag sky-highโthis is a remarkably piercing yet sensual work by Andrea Arnold, not to mention featuring a breathtaking performance by Katie Jarvis.
Arnold makes a detour into documentary filmmaking as her camera brings us up close and personal with several cows in a dairy farm, capturing their magnificence as well as the sheer drudgery of their reality.