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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Love (2024)

December 15, 2025 by Eternality Tan

Interview: Guerrilla Metropolitana’s The Benefactress (2025)

December 10, 2025 by Eternality Tan

Crash (1996)

December 9, 2025December 9, 2025 by Eternality Tan

Orlando (1992)

December 2, 2025December 2, 2025 by Eternality Tan

Nouvelle Vague (2025)

November 29, 2025 by Eternality Tan

Pat Garrett and Billy the Kid (1973)

November 26, 2025 by Eternality Tan

Dracula (2025)

November 21, 2025 by Eternality Tan

Clouds of May (1999)

November 17, 2025November 17, 2025 by Eternality Tan

Sirat (2025)

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Bonheur, Le (1965)

November 9, 2025November 26, 2025 by Eternality Tan

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Tag / Roberto Rossellini

May 10, 2021November 7, 2021 by Eternality Tan

Paisan (1946)

  • Criterion Collection, Rossellini, Roberto
  • 1946, Roberto Rossellini
  • 4 Comments

Six dramatised end-of-WWII stories that bring us from Sicily to the Po Valley, the second part of Rossellini’s โ€˜War Trilogyโ€™ shows us the emotions associated with the tragedy of war as well as the liberation from oppression.

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Rating: 4 out of 5.

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December 14, 2020May 10, 2021 by Eternality Tan

Germany Year Zero (1948)

  • Criterion Collection, Rossellini, Roberto
  • 1948, Germany, Roberto Rossellini
  • 4 Comments

The third film of Rosselliniโ€™s heartbreaking neorealist โ€˜Warโ€™ trilogy tackles postwar Germany through the eyes of a boy suffering from material and moral poverty.

โญโญโญโญ

Rating: 4 out of 5.

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December 8, 2020May 10, 2021 by Eternality Tan

Flowers of St. Francis, The (1950)

  • Criterion Collection, Rossellini, Roberto
  • 1950, Roberto Rossellini
  • Leave a comment

Rosselliniโ€™s work here is masterful, shot in a neorealist if also painterly style, that captures the purity and spirituality of ascetic Roman Catholicism in the early 13th century.

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Rating: 4 out of 5.

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December 7, 2020May 10, 2021 by Eternality Tan

Rome Open City (1945)

  • Criterion Collection, Rossellini, Roberto
  • 1945, Roberto Rossellini
  • 5 Comments

Rosselliniโ€™s breakthrough film is not just a defining work of Italian neorealism, but a powerful anti-war statement.

โญโญโญโญโญ

Rating: 4.5 out of 5.

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