A reimagination of Oz through the lens of โ70s New York, blending dazzling production design with soulful and disco-infused music, as an all-Black cast led by Diana Ross and a young Michael Jackson take center stage.ย
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A reimagination of Oz through the lens of โ70s New York, blending dazzling production design with soulful and disco-infused music, as an all-Black cast led by Diana Ross and a young Michael Jackson take center stage.ย
Weerasethakulโs debut feature is like a living folk tale, a radical blend of documentary and fiction, shaped through the surrealist โexquisite corpseโ method as ordinary Thais collectively spin an evolving story.
The US version features clunky news segments that spell out the spectacle, but when the two kaijus are pitted like pro-wrestlers with comical moves, the movie somewhat works on a childlike level with its reliance on rear projection and miniature toys.
Coxโs astonishing genre-bending masterpiece satirically and anachronistically lays bare the dark shadow of American imperialism across time, shot in Nicaragua during the Contra War, and featuring Ed Harris as 19th-century mercenary leader William Walker.
Despite its lack of style and the textbook-esque approach to conventional documentary filmmaking, this is quite rightly one of the finest of its kindโa galvanising and sensitive work on the LGBTQ legacy of Harvey Milk and his tragic assassination.ย
Wellesโ butchered studio film remains a remarkable showcase of his storytelling prowess, one that is haunted by deep regrets and vicious jealousies, as an aristocratic family faces inevitable decline in a modernising world.
Langโs blueprint for the psychological procedural thriller remains significant in cinema history, as was his influential use of sound, rendering his ghastly subjectโa serial killer of childrenโin poetic, paralegal light.ย ย
Beers, drugs, hazing rituals, and unchecked rebelliousness mark the last day of high school circa May 1976, Texas, as Linklater expertly drops us in the middle of the chaos, with a killer rock soundtrack to boot.
This skippable sequel sees Godzilla amusingly battling with a monster for the first time, laying the 1v1 blueprint for the future, but production problems and a rushed job mar the experience.ย
Bordenโs radical โsci-fi documentaryโ, put together in a gritty, agitprop style, imagines an alternate universe USA, where black lesbian โterroristsโ fight for justice for women and the oppressed.ย