Haneke’s shocking work daringly dissects the nature of love, sexual desire, sadomasochism and power with a fierce intelligence that is matched only by arguably Isabelle Huppert’s finest ever performance.

This is Haneke in peak form—made up of more than forty vignettes shot in long takes that combine to give us a fragmentary sense of what it feels like to live in a multi-racial yet racist, technological yet incommunicable post-2000s world.