Paul Verhoeven’s Hollywood breakthrough remains a standout violent sci-fi actioner from the ’80s and a decent commentary on mankind’s ill-fated fascination with science and technology.
Continue reading →
Paul Verhoeven’s Hollywood breakthrough remains a standout violent sci-fi actioner from the ’80s and a decent commentary on mankind’s ill-fated fascination with science and technology.
Ann Hui’s latest period piece has a slow-burning elegance, but despite the array of world-class talents involved—Christopher Doyle, Ryuichi Sakamoto and the late Emi Wada—and adapted from an Eileen Chang text no less, it feels too thematically shallow to work.
Baumbach’s charming if at times elegiac black-and-white drama about self-discovery and acceptance features an indelible performance by Greta Gerwig.
The finest film Farhadi has put out in years—here he skilfully draws out a complex, delicate drama with weighty themes of morality, truth and honour from a simple premise: a debt-ridden prisoner and a bag of gold coins.
PTA’s indelible 1970s romance between a teenage boy and an older woman (Cooper Hoffman and Alana Haim are sensational) is akin to a cinematic relaxant, suffused with good, nostalgic vibes yet there’s enough of a slight overdose of unpredictability and peril to last the course.
A light-hearted Taiwanese romance starring Feng Fei Fei that sees Hou dabbling in commercial genre cinema early on in his career—there’s little in the way of depth but it is still moderately entertaining.
Three quite indelible stories about people in love (or not) as coincidences threaten to derail their intimate intentions in this charming Rohmerian comedy set around the beautiful spaces of Paris.
Radu Jude’s debut feature takes cinematic tedium to mesmerizingly hilarious levels as he follows a young girl who is obliged to shoot for a commercial after winning a car in a lucky draw.
Featuring arguably a career-best performance by Romy Schneider, Zulawski’s work here is enigmatic and indescribably haunting as it dissects the meaning of love and desire through the psychological destabilisation of its characters.
Told in five chapters in reverse chronological order, Ozon charts the disintegration of a marriage in this well-acted bittersweet film.