One of Gremillon’s best-known works, this part sea action, part romance drama strikes a strong emotional chord with its performances and melodramatic flair.
Continue reading →
One of Gremillon’s best-known works, this part sea action, part romance drama strikes a strong emotional chord with its performances and melodramatic flair.
A fascinating feature debut by Dumont, who captures the tedium of French countryside life by finding beauty in the mundane and the horrific in the nonchalant, working with non-professional actors with aplomb.
Bresson’s ‘Joan of Arc’ film is as spare and minimalist as you can imagine, distilling with startling clarity the moral essence of one of history’s most infamous trials.
Eighteen persons with personal connections to the political, social and cultural history of Shanghai share their recollections in Jia Zhangke’s somewhat stolid documentary, where the sum feels lesser than its parts.
A decent Spanish comedy that pokes fun at the film industry, acting and the creative process, benefiting from the wonderful charisma of its trio of actors.
An aged activist is being charged with abetting suicide in this exceptional feature debut that explores class, society and politics through the absurdity of legality.
A well-paced and engaging genre effort by Renoir that mixes psychological drama with the crime-noir, featuring Jean Gabin and Simone Simon as doomed lovers.
Some may find it tedious, but Escalante’s modest feature debut showcases the cinema of the mundane—it portrays the quiet, unexciting daily life of a couple, and through it, reveals what is psychologically tormenting and unsaid.
Eggers’ third film is maximalist filmmaking to a fault—it may be his most ambitious, but also his weakest in terms of storytelling where it offers the requisite thrills and action, but little in the way of deeply-resonating themes or characters.
Scott’s follow-up to ‘Prometheus’ is a full-scale R-rated blockbuster that will thrill mainstream adult audiences, maybe even fans, but it doesn’t hold a candle to the sheer filmmaking prowess of the first two ‘Alien’ films.