Bigelow’s first solo outing as director is an entertaining, at times subversive, neo-western vampire movie that is not afraid to have fun with its material.
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Bigelow’s first solo outing as director is an entertaining, at times subversive, neo-western vampire movie that is not afraid to have fun with its material.
Two young Africans exiled in Belgium must navigate treacherous waters in the Dardennes’ latest social realist work, which is as clear-eyed and powerful as some of their finest output.
An artistic and personal attempt to produce a film during the Covid pandemic, this meta-cine piece is calm and poetic, told via a playful reverse-chrono structure.
Serra’s latest ‘slow cinema’ effort is at times hypnotic and beguiling, though it isn’t always consistently rewarding as he weaves a tale set in Tahiti about a stagnating High Commissioner who becomes privy to the prospect of something unimaginably nightmarish happening to his beloved French Polynesian island.
One of the most iconic anime ever produced, Otomo’s landmark work of dystopia and politics remains mind-blowing in its execution and acts as a stern warning to humanity not to destroy ourselves.
Cronenberg’s new sci-fi body horror is packed with fascinating ideas, but the film somewhat falls short in its half-baked attempt to realise them.
One of the most realistic movies about a global pandemic outbreak, though Soderbergh’s film suffers from a rather lacklustre pacing and underdeveloped characters.
One of the key works of American Black cinema of the ‘90s, this debut feature packs a punch in its depiction of race and violence despite occasionally wallowing in sentimentalism.
‘Exploring’ features the filmographies of filmmakers that I’ve completed and celebrates them on the week of their birthdays.

Dark, disturbing and with little to rein in its creative and freewheeling spirit, this experimental piece continues to shock and impress as one of the key works of Japanese silent cinema.