Rohrwacher’s strong debut feature is naturalistic yet enigmatic in style as a young girl comes to terms with living in a new city where religion almost exclusively determines the way of life.
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Rohrwacher’s strong debut feature is naturalistic yet enigmatic in style as a young girl comes to terms with living in a new city where religion almost exclusively determines the way of life.
A well-built historical action epic by Mann about the British and French battling for control over the American colonies, but it does sometimes feel bogged down by its warm, romantic tone amid the bloodshed.
A housewife prostitutes herself to earn more money to enjoy life’s luxuries in Godard’s somewhat messy ‘anything goes’ takedown on consumerism, as he scathingly—and self-reflexively—goes off tangent in matters of language, the Paris city, love and more.
This final installment caps the long-running series with a more dignified drama-focused entry as Zatoichi once again tries to seek justice for the oppressed.
Strickland explores sound in film in tantalising new ways in this modern cult psychological horror about a British sound engineer hired to work on Italian giallo, who discovers something sinister behind-the-scenes.
Four narrative threads combine, however intricately or tenuously, to create a tapestry of natural and human geography, as Inarritu explores the theme of incommunicability and personal responsibility with the kind of storytelling bravura he has been known for.
The sea, by turns calm and angry, mirrors the hearts of the young protagonists, who must accept life’s vulnerabilities in Kawase’s poetic piece, shot largely on the southern Japanese island of Amami Oshima.
Miyazaki’s somewhat convoluted anti-war and pro-elderly piece doesn’t quite reach the heights of some of his greatest works, but as a fantasy about love, magic and curses, it can be spellbinding at times.
A Korean adopted by a French couple when she was a baby returns to Korea for the first time as a French woman in Davy Chou’s intimate if chastening third feature, backed by an excellent performance from Park Ji-min in her acting debut.
One of Ripstein’s more transgressive works, this seductive tale of a priest who, out of spite, begins a sexual affair with his maid in his parish, asks us to reconsider the meaning of immorality.