Continue reading →A masterpiece of baroque horror cinema that continues to haunt through tone, technique and characterisation.
Continue reading →A masterpiece of baroque horror cinema that continues to haunt through tone, technique and characterisation.
Continue reading →Kubrick’s final film is a calculated psychosexual trip filled with paranoia, moral depravity and sexual fantasies and excesses.
Continue reading →Kubrick’s understated and underrated costume-drama is, to me, his greatest accomplishment, and possibly the most beautiful period film ever made.
Continue reading →Kubrick’s dystopian masterpiece frustrates, angers, provokes, and ultimately floors you in ways unlike that of other great films.
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This delightful award-winning Israeli film scores with its unique portrayal of Palestinian-Israeli tensions, one that is marked by dramatic pretence and cold humour.
Continue reading →Possibly Almodovar’s most personal film to date, this is a bittersweet ode to how cinema has changed his life and the burdens and regrets he still carries—through an alter ego as played by a sublime Antonio Banderas.
Continue reading →Dolan’s gift for melodramatic intensity slightly mellows here, but what comes out of it is a newfound sense of storytelling maturity.
Continue reading →The story of a female football team as they prepare for competition season told in a straightforward manner – without turgid narratives about femininity or victory.
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Shot in long takes in eight parts by nine women filmmakers from the Pacific Islands, this is an illuminating and poetic take on the ‘spirit of existence’.
Continue reading →Kubrick’s most influential film still remains way ahead of its time and is arguably the greatest sci-fi film ever made.