Not a great film by any measure, this oddly-structured dramatization and investigative inquiry into the ‘Miracle on the Hudson’ incident is a mildly-affirming work by Clint Eastwood.

A contemporary war film with such generic, by-the-numbers treatment that while assuredly directed by Eastwood, doesn’t feel interesting enough. 

One of Clint Eastwood’s better efforts, this well-performed drama about the 1996 Atlanta bombings is efficiently told with just the right amount of sentiment.

Clint Eastwood’s weakest in a long while, but it still remains fairly engaging because of the strength of Leonardo DiCaprio’s singular performance.