As per tradition in March, I will give out imaginary awards to the films that I love most or hold in high regard for the preceding year.
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As per tradition in March, I will give out imaginary awards to the films that I love most or hold in high regard for the preceding year.
Continue reading →
Pales in comparison to the first movie, Woo’s sequel (which suffered tremendously in post-production) has excellent action but a poorly-constructed story.
Provocative in an important way, this cautionary if hilariously satirical documentary emphasises the need to be open to understanding minority groups in pluralistic, secular countries.
It does feel overreaching at times, but Mati Diop’s French-Senegalese first feature is a beguiling take on how tragedy can haunt the present.
Source: National Geographic
COSMOS: POSSIBLE WORLDS, the planet’s most beloved science franchise, will return for a third season with a two-hour world premiere on 10 March.
The series will be released in Southeast Asia at the same time as the United States with two back-to-back episodes every Tuesday, 8am (SGT), with a primetime encore at 9pm (SGT).
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We follow a young schoolboy’s a-day-in-the-life journey in Kiarostami’s simple yet resonating breakthrough film.
Elizabeth Olsen delivers a first-rate performance in this restrained tale about trauma and paranoia.
A tremendously urgent social realist work with a strong emotional core, blessed by Loach’s unadulterated approach to simplicity.
Loach tackles the Spanish Civil War with aplomb in this unique war film that is not about war itself but the battle of ideals and minds.
Arguably Ken Loach’s masterpiece of 1970s British working-class social realism, with an absolutely stunning performance by the 14-year old non-professional actor David Bradley.