Tedious at times with an overbearing anti-Americanism, this was an experimental misstep by Antonioni who seemed to want to say a lot but achieved little in the process.
Continue reading →
Tedious at times with an overbearing anti-Americanism, this was an experimental misstep by Antonioni who seemed to want to say a lot but achieved little in the process.
A confident debut feature as this poignant drama about two Korean childhood sweethearts who meet again as adults in New York will likely work the tearducts.
A more wistful film than usual by Anderson, who is back in fine form as we enter the world of a fictional play populated by a range of eccentric characters.
Mankiewiczโs enduring classic about the glamour of showbiz, warts and all, marked by loyal friendships and diabolical schemes, remains one of the wittiest and spriteliest of Classical Hollywood dramas.
Thereโs 1960s nostalgia overload in Linklaterโs third animated feature, which is a mostly engaging take on the cultural phenomena surrounding the 1969 Moon landing, told through one boyโs fantasy of becoming an astronaut.
Itโs hard to find a debut feature this dreamy and evocative, as Dash lends historical voice to her peopleโthe generations of Gullahs who lived on the South Carolina Sea Islands as they endured slavery and faced a modernising 20th century.
This could be Nolanโs greatest achievement so farโa stunning biopic imagined as a complex, time-ticking paranoia thriller as the sheer burden of scientific progress meets the retroactive traumatic weight of 20th-century history.
Fun, wacky and occasionally surprising, Gerwigโs candy-coloured third solo feature tries to say something about the perils of gender oppression and excessive commodification with moderate success.
Woody Harrelson and Courtney Love steal the show in this entertaining textbook biopic on the infamous multi-millionaire publisher of pornographic magazines who fought valiantly against the religious right for the freedom of expression.
Tom Cruise, the consummate entertainer, once again shows us why heโs Hollywood’s last action hero in this penultimate M:I outing that is somewhat bogged down by plotting that is way too reliant on its airy-fairy MacGuffin.