A rather bloated effort despite the generous and intense servings of action, this is a half-decent final outing for Daniel Craigโs Bond.
Continue reading →
A rather bloated effort despite the generous and intense servings of action, this is a half-decent final outing for Daniel Craigโs Bond.
Exotic locales (amazingly shot on soundstages) and erotic tension drive this extraordinary Powell and Pressburger Technicolor masterwork about cloistered nuns trying to set up a convent in the Himalayas to help the locals.
Some may find this terribly mawkish, but Spielberg is still the undisputed master of emotional manipulation, and I say this with gratitude, because it reminds me of the magic of moviemaking.
For better or worse, it feels like you are watching a book unfold in this beautiful if unbalanced adaptation of Thomas Hardyโs well-studied novel.
One of David Leanโs finest early works, this is a heartrending exploration of the joy and torment of an impossible love, as experienced giddily in a chance encounter by two strangers who are already married.
A tour de force of screenwriting, acting and editing, all based on a deceptively straightforward premiseโa woman and her old father who is suffering from memory loss.
Beautiful but underwhelming, Francis Lee’s sophomore feature keeps emotions under the lid, and not always for the better.
At times utterly delirious but also engages with its theme of sexual assault and vengeance with a sobering kind of dynamism, Fennellโs debut feature mostly works despite some moments of overwrought sensationalism.
An inventive treatise on living and dying, and most important of all, of loving, as a legal trial in heaven decides the fate of an airman who is literally caught in an unprecedented life-and-death scenario.
One of the towering achievements of British cinema from one of the mediumโs most formidable directing duos.