A meta-horror film that sees the spectator as victim, constructed as a part-experimental, part visceral experience.
Continue reading →
A meta-horror film that sees the spectator as victim, constructed as a part-experimental, part visceral experience.
Arguably Orson Wellesโ finest hour as a director and actor, this resurrected masterpiece remains to be one of cinemaโs most extraordinary adaptations of Shakespeare.
Loach tackles the Spanish Civil War with aplomb in this unique war film that is not about war itself but the battle of ideals and minds.
Continue reading →Possibly Almodovarโs most personal film to date, this is a bittersweet ode to how cinema has changed his life and the burdens and regrets he still carriesโthrough an alter ego as played by a sublime Antonio Banderas.
Continue reading →The film that launched Almodovar internationally as an auteur is a tragicomic screwball farce whose effortless execution is as impressive as it is sublime.
Continue reading →This is one of the highest peaks of Almodovarโs career, an exquisite work about women and grief, yet with his assured touch, it all seems so life-affirming and universal.
Continue reading →A minor mystery-esque work by Almodovar, spellbinding and sensually-crafted at times, but marred by a weak denouement.
Continue reading →A respectable effort by Almodovar that balances melodrama with the mystery-thriller.
Continue reading →Almodovar handles with dexterity a range of emotions in this intriguingly-structured drama.
Continue reading →Good but not great, Farhadiโs Spanish-language effort is rather too elaborate in plotting, but still serves up a largely engaging mystery with delectable performances.