Satoshi Konโs first feature is a chilling psychological character study in adult anime form.
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Satoshi Konโs first feature is a chilling psychological character study in adult anime form.
A headfirst dive into this dream-within-a-dream anime, which promises a trippy dose of surreal visuals and unsettling themes.
Despite its seemingly modest if meta-cinematic setup, Kore-edaโs first film made in the West with big stars reveals layers of subtlety and emotions that creep up genteelly to the surface.
It may have a wafer-thin storyline, but thereโs no shortage of action in this mildly entertaining final instalment.
At times exasperating or perplexing, but Imamuraโs sly and unorthodox attempt at blurring the lines between fiction and fact ultimately says something about the artifice of cinema when its subjects have nothing more to say.
Itโs difficult to stay invested in a story that has no real tension or emotional connectionโthis is one of the seriesโ weakest installments.

Dir. Kenji Misumi
1973 | Japan | Action/Crime | 89 mins | 2.40:1 | Japanese
Not rated (likely to be M18 for violence)
Cast: Tomisaburo Wakayama, Michiyo Yasuda, Akihiro Tomikawa
Plot: Five warriors challenge Ogami to duels. Each holds a part of information needed to complete the assassination of a mad clan leader.
Awards: –
Source: Toho
Accessibility Index
Subject Matter: Slightly Mature/Violent
Narrative Style: Straightforward
Pace: Normal
Audience Type: Niche Mainstream/Cult
Viewed: Criterion Blu-ray
Spoilers: No
Itโs been a wild ride so far for me with the โLone Wolf and Cubโ series, but this fifth instalment is a major letdown. Itโs even worse than Baby Cart at the River Styx (1972), which didnโt quite work for me.
Structurally, Land of Demons is already a problem with the movie setting itself up by having its titular assassin face five warriors along his journey, as they each put their lives on the line in a bid to provide him with pieces of secret information that would eventually lead him to an assassination mission.
I must admit that the movie lost me after this incoherent setup. Although the โLone Wolf and Cubโ pictures are never supposed to be taken seriously, Land of Demons has no real tension whatsoever with narrative stakes minimally drawn out even though it tackles themes of betrayal and deceit.
Heck, I couldnโt even summarise what the movie is about even if I want to. There is also a lack of emotional connection to any of the characters, something that the previous installment, Baby Cart in Peril (1972), had in abundance.
However, there is a sequence that remains stuck in my mindโthe corporal punishment of Daigoro, Ogamiโs son, for allegedly being involved with a wanted female pickpocket. If the most memorable part of the movie is the flogging of a child, then thereโs really nothing much else to be excited about.
Grade: C–
Trailer:
OST:
Continue reading →This is free-form, counter-cultural Japanese cinema at its astonishing bestโplayful, powerful and brutal all in the same breath.
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