Minerviniโs work about the real America i.e. the disturbia of the working-class provokes with its sheer no-bullshit honesty, with an invisible camera that gives zero distinction between drama and documentary.
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Minerviniโs work about the real America i.e. the disturbia of the working-class provokes with its sheer no-bullshit honesty, with an invisible camera that gives zero distinction between drama and documentary.
A meaningful social initiative to connect young daughters with their incarcerated fathers is the subject of this rewarding Sundance award-winning documentary that might be one of the most moving films of the year.
An unclassifiable but whimsically rewarding anti-neocolonialist travelogue that sees the director turn the camera onto himself as he leaves his poor village and discovers how ridiculously modern the Western world is.
Panahi is literally in the driver seat, as he charts a new course for Iranian cinema (of the oppressed) in this powerful docu-drama that is as defiant as any in his oeuvre. ย
A political statement of intent by Panahi โ one that is imbued with a sense of loss and frustration, yet shines brightly as a courageous beacon of hope for change.
McElweeโs intended docu-travelogue about General Shermanโs American Civil War campaign turns into a narcissistic look at his faltering romantic exploits with the Southern women around him, yet its unabashed subjectivity feels surprisingly fresh and compelling.
Akinโs exuberant documentary is a work of real cultural value, capturing the vibrant if โunclassifiableโ Turkish underground and street music scene with an inquisitive spirit.ย
A Finnish youth environmental activism documentary that is surprisingly genteel, and hence quietly effective and reflective, encouraging us to be compassionate to activistsโand as activistsโin active modes of disruption.
Markerโs early documentary is a remarkable gem that constantly surprises with its eclectic approach to observing the world, in this case, Siberian culture, history and its peoples.
As vital a documentary as any in the last ten years, Derki courageously enters the lionโs den that is terrorist-infested Syria by posing as a war photographer, giving us an unprecedented view of what it is like to be in the company of religious extremists young and old.