A ragtag group of Icelandic youths drink, smoke, experiment with drugs and beat people up in this hard-hitting yet poignant tale about the joys and limits of male friendships.
Continue reading →
A ragtag group of Icelandic youths drink, smoke, experiment with drugs and beat people up in this hard-hitting yet poignant tale about the joys and limits of male friendships.
This is one of 2022โs finest films and an extraordinary feature debutโas far as stories about father-daughter relationships are concerned, this incredibly nuanced drama finds that rare pitch-perfect tone of joy and melancholy that must be savoured.
Peeleโs third feature is his most ambitious yet though not necessarily as sharp as his previous works, firmly locating itself in sci-fi horror territory while expressing our innate desires for attractions and spectacles.
Using familiar genre tropes to tackle provocative themes, this shot-in-Istanbul, Cairo-set Cannes Best Screenplay winner asks hard questions about the troubling intersections between political and religious institutions.
Parkโs latest Cannes winner charts an alluringly new direction for himโa layered if at times convoluted crime procedural that hides an elusive romantic drama about the perverse relationship between a conflicted investigator and a seductive murder suspect.
Mungiu’s somewhat belated take on xenophobia isnโt an all-powerful tale, but it smartly situates prevalent issues as a trickle-down effect of EU migrant policies in collision with chronic small-town racism.
Itโs more of the same from Kore-eda, but transplanted into a Korean setting, in this heartening mid-tier drama about characters trying to remain human despite not always being on the good side of the law.
Eggersโ third film is maximalist filmmaking to a faultโit may be his most ambitious, but also his weakest in terms of storytelling where it offers the requisite thrills and action, but little in the way of deeply-resonating themes or characters.ย ย
It goes through its storytelling beats without fuss but also without invention, though all that becomes insignificant when you are in the cockpit of a fighter jet in what could be the most immersive blockbuster to be shot aerially since Dunkirk.
This finely-tuned Berlinale Golden Bear winner recalls the spirit of Rohrwacherโs The Wonders, showcasing a close-knitted inter-generational Spanish family of peach farmers who face the threat of eviction from their land.