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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Love (2024)

December 15, 2025 by Eternality Tan

Interview: Guerrilla Metropolitana’s The Benefactress (2025)

December 10, 2025 by Eternality Tan

Crash (1996)

December 9, 2025December 9, 2025 by Eternality Tan

Orlando (1992)

December 2, 2025December 2, 2025 by Eternality Tan

Nouvelle Vague (2025)

November 29, 2025 by Eternality Tan

Pat Garrett and Billy the Kid (1973)

November 26, 2025 by Eternality Tan

Dracula (2025)

November 21, 2025 by Eternality Tan

Clouds of May (1999)

November 17, 2025November 17, 2025 by Eternality Tan

Sirat (2025)

November 11, 2025 by Eternality Tan

Bonheur, Le (1965)

November 9, 2025November 26, 2025 by Eternality Tan

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Tag / 2017

June 7, 2022 by Eternality Tan

Alien: Covenant (2017)

  • Scott, Ridley
  • 2017, Ridley Scott, UK, USA
  • 1 Comment

Scott’s follow-up to ‘Prometheus’ is a full-scale R-rated blockbuster that will thrill mainstream adult audiences, maybe even fans, but it doesn’t hold a candle to the sheer filmmaking prowess of the first two ‘Alien’ films.

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Rating: 3 out of 5.

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May 27, 2022July 7, 2023 by Eternality Tan

April’s Daughter (2017)

  • Franco, Michel
  • 2017, Mexico, Michel Franco
  • Leave a comment

A naรฏve teenage girl gives birth but her wily mother has other sinister ideas in this well-directed Mexican drama that is not afraid to go down a morally contentious path.

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Rating: 3.5 out of 5.

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December 18, 2021December 17, 2023 by Eternality Tan

Beauty and the Dogs (2017)

  • Ben Hania, Kaouther
  • 2017, Kaouther Ben Hania, Tunisia
  • Leave a comment

Shot in nine long takes, this Tunisian drama about systemic failure economically if harrowingly shows us what it feels like to suffer under pervasive toxic masculinity, as a woman on a night out tries to seek justice after being sexually assaulted by several policemen.

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Rating: 3.5 out of 5.

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December 10, 2021February 5, 2025 by Eternality Tan

Baby Driver (2017)

  • Wright, Edgar
  • 2017, Edgar Wright, UK, USA
  • 1 Comment

Edgar Wrightโ€™s engaging if offbeat heist film ticks like clockwork, and is accompanied by a terrific iPod playlist for a soundtrack.

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Rating: 3.5 out of 5.

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September 24, 2021 by Eternality Tan

Dawn Wall, The (2017)

  • Others
  • 2017, Austria, Documentary, USA
  • Leave a comment

Even non-climbing enthusiasts will fall in love with Tommy Caldwell in this well-made documentary as he and his climbing partner attempt to free climb a route up the legendary El Capitan that had been deemed impossible to scale.

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Rating: 3.5 out of 5.

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August 26, 2021 by Eternality Tan

Post, The (2017)

  • Spielberg, Steven
  • 2017, Steven Spielberg, USA
  • 2 Comments

Spielberg’s journalistic procedural is a masterclass in supple filmmaking that is equally at ease portraying nuance as well as galvanising action.

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Rating: 4 out of 5.

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August 18, 2021 by Eternality Tan

I Want to Go Home (2017)

  • Others
  • 2017, Documentary, Japan, Singapore
  • Leave a comment

This heartfelt, partially-animated documentary centering on a Japanese man who lost his wife in the 2011 tsunami doesnโ€™t have any pretensions and works because of its sincerity.

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Rating: 3.5 out of 5.

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July 30, 2021 by Eternality Tan

Jeannette: The Childhood of Joan of Arc (2017)

  • Dumont, Bruno
  • 2017, Bruno Dumont, France
  • Leave a comment

Joan of Arcโ€™s childhood is given a treatment that only Dumont could dream upโ€”a period musical backed by heavy metal/rock music that is as madly fervent as it is wearisome.

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Rating: 3 out of 5.

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May 16, 2021July 31, 2022 by Eternality Tan

Happy End (2017)

  • Haneke, Michael
  • 2017, France, Michael Haneke
  • 3 Comments

Hanekeโ€™s attempt to find his singular voice in our modern, technological society feels uncannily familiar, though the filmโ€™s numerous themes don’t quite come across as typically succinct.

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Rating: 3.5 out of 5.

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March 28, 2021October 30, 2021 by Eternality Tan

Mudbound (2017)

  • Others
  • 2017, Dee Rees, USA
  • Leave a comment

The constant intercutting between two related storylinesโ€”that of a White and Black family living in Mississippi in the 1940sโ€”seems to have spread its narrative more thinly than intended, but this is still a crucial look at the ills of racism.

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Rating: 3.5 out of 5.

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