Chanelling the free spirit of the French New Wave, Villeneuveโs first feature is stylistically bold but falls short as a narrative about two ex-lovers who cannot be together.
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Chanelling the free spirit of the French New Wave, Villeneuveโs first feature is stylistically bold but falls short as a narrative about two ex-lovers who cannot be together.
Startlingly assured debut by Christopher Nolan in this noir-mystery that lays the first brick for ‘Memento‘ (2000) and ‘Inception‘ (2010).
Banned in Singapore, Ozonโs early satirical if uneven black comedy asks of us to reimagine the limits of morality as a middle-class family โrebalancesโ itself through debauchery, sadomasochism and incest.
You wouldnโt expect this mature and revelatory work to have been directed by a 17-year old woman in Iran.
Continue reading →Kore-edaโs second fiction feature sees him take on themes of memory and the afterlife through a meta-cinematic lens.
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One of the greatest modern transgressive American films ever made, directed by Todd Solondz with remarkable sensitivity and total control of tonal shifts.
Continue reading →This wild concoction of profane humour and bizarre antics, and an unusual narrative that doesnโt quite amount to anything, is perhaps the most cultish of all Coensโ pictures, but not necessarily one of their best.
Continue reading →Like “The Assassin”, this is one of Houโs most formally exquisite works โ a gorgeous and sensuous take on the period costume drama.