This easy-going if poor entry doesnโt quite contribute much to Zatoichiโs characterisation, nor does it have an involving premise.
Continue reading →
This easy-going if poor entry doesnโt quite contribute much to Zatoichiโs characterisation, nor does it have an involving premise.
This tenth instalment goes into darker territory with forced prostitution as one of its themes, but Zatoichi is in a serious mood to right wrongs with several well-choreographed fight scenes in store.
This war film shot in Cambodia and lensed by the great Raoul Coutard strongly emphasises on realism, but may feel slightly underwhelming.
A Polanski masterclass in psychosexual filmmaking, still effectively chilling and disturbing today as it wasโsurely a shocker!โback in the mid-โ60s.
Continue reading →Rosiโs shot-in-Spain film could be one of the finest works about bullfighting ever made despite a conventional rags-to-riches narrative.
Continue reading →Itโs an inventive, original piece, but also a pretentious mess that struggles to sustain in what could be one of Godardโs most overrated films in his prolific first decade as a non-conforming artist.