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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Silence de la mer, Le (1949)

February 21, 2026 by Eternality Tan

Leningrad Cowboys Go America (1989)

February 17, 2026February 17, 2026 by Eternality Tan

Outguess ET 2026 – Oscars Prediction Contest

February 13, 2026 by Eternality Tan

All the Beauty and the Bloodshed (2022)

February 10, 2026February 19, 2026 by Eternality Tan

Sentimental Value (2025)

February 6, 2026February 16, 2026 by Eternality Tan

Celebration, The (1998)

January 30, 2026 by Eternality Tan

2,000 Meters to Andriivka (2025)

January 24, 2026January 24, 2026 by Eternality Tan

Distant (2002)

January 19, 2026 by Eternality Tan

Palestine 36 (2025)

January 12, 2026January 12, 2026 by Eternality Tan

Golden Globes 2026 Prediction

January 11, 2026January 12, 2026 by Eternality Tan

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Category / Others

April 13, 2022 by Eternality Tan

Klondike (2022)

  • Others
  • 2022, Ukraine
  • Leave a comment

A coupleโ€™s marriage slowly disintegrates as war draws closer in this measuredly-paced drama set in the context of the downing of Malaysia Airlines Flight 17 over separatist-controlled Eastern Ukraine.ย 

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Rating: 3.5 out of 5.

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April 6, 2022 by Eternality Tan

Robe of Gems (2022)

  • Others
  • 2022, Mexico
  • Leave a comment

The formal rigour of its aesthetics and its slow cinema approach are at times haunting, capturing the traces of presence, disappearance and trauma in Mexicoโ€™s crime-infested rural areas, though it ultimately feels like an elusive experience without any inkling of a plot to hold on to.ย 

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Rating: 3.5 out of 5.

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April 1, 2022 by Eternality Tan

City of Lost Children, The (1995)

  • Others
  • 1995, France, Jean-Pierre Jeunet, Marc Caro
  • 2 Comments

Itโ€™s probably one of the most visually stunning films from the โ€˜90s with incredible production design and cinematography, but it can be difficult to care for its fractured story or the array of eccentric characters.ย 

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Rating: 3 out of 5.

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March 9, 2022April 15, 2022 by Eternality Tan

Samurai Assassin (1965)

  • Others
  • 1965, Japan, Kihachi Okamoto
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Could have been a definitive samurai picture if it wasn’t too exposition heavy, but still quite a solid entry by Okamoto-Mifune. 

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Rating: 3.5 out of 5.

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March 7, 2022March 28, 2022 by Eternality Tan

Love Affair (1939)

  • Criterion Collection, Others
  • 1939, Leo McCarey, USA
  • Leave a comment

A beloved Classical Hollywood tearjerker as love and fate intertwine in this melodrama directed with unassuming grace by Leo McCarey. 

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Rating: 4 out of 5.

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March 5, 2022May 11, 2022 by Eternality Tan

Revolution of Our Times (2021)

  • Others
  • 2021, Documentary, Hong Kong
  • 1 Comment

This politically stirring and at times truly heartbreaking Golden Horse-winning documentary gives us that intense journalistic, on the ground experience of the 2019 Hong Kong protests from start to end.

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Rating: 4 out of 5.

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March 3, 2022 by Eternality Tan

Flee (2021)

  • Others
  • 2021, Denmark, Documentary
  • 3 Comments

Animated documentaries may be few and far between, but this is an affecting work that skilfully details an Afghan refugeeโ€™s harrowing life story fleeing from war and conflict, and more introspectively, from himself.ย 

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Rating: 4 out of 5.

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February 14, 2022February 14, 2022 by Eternality Tan

Vengeance Is Mine, All Others Pay Cash (2021)

  • Others
  • 2021, Edwin, Indonesia
  • 1 Comment

Exciting yet elusive, violent yet convoluted, this Locarno Golden Leopard winner is a strange beast of ideas, tropes and moods.

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Rating: 3.5 out of 5.

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February 13, 2022February 13, 2022 by Eternality Tan

Yuni (2021)

  • Others
  • 2021, Indonesia, Kamila Andini
  • 1 Comment

The specificity of its cultural context just about lifts this nuanced Indonesian drama about a high school girl torn between the custom of accepting marriage proposals and her dreams of further studies.

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Rating: 3.5 out of 5.

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February 12, 2022March 28, 2022 by Eternality Tan

Belfast (2021)

  • Others
  • 2021, Kenneth Branagh, UK
  • 13 Comments

Itโ€™s well-made, but underwhelmingly conventional and perhaps too prim and proper to suggest that it has any real interest in diving deeper into the dirty sociopolitics of the time, settling unfortunately for a more sanitised, autobiographical Oscar-baiting family picture.

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Rating: 3 out of 5.

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