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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Featured

Love (2024)

December 15, 2025 by Eternality Tan

Interview: Guerrilla Metropolitana’s The Benefactress (2025)

December 10, 2025 by Eternality Tan

Crash (1996)

December 9, 2025December 9, 2025 by Eternality Tan

Orlando (1992)

December 2, 2025December 2, 2025 by Eternality Tan

Nouvelle Vague (2025)

November 29, 2025 by Eternality Tan

Pat Garrett and Billy the Kid (1973)

November 26, 2025 by Eternality Tan

Dracula (2025)

November 21, 2025 by Eternality Tan

Clouds of May (1999)

November 17, 2025November 17, 2025 by Eternality Tan

Sirat (2025)

November 11, 2025 by Eternality Tan

Bonheur, Le (1965)

November 9, 2025November 26, 2025 by Eternality Tan

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Category / Kore-eda, Hirokazu

July 6, 2023July 6, 2023 by Eternality Tan

Our Little Sister (2015)

  • Kore-eda, Hirokazu
  • 2015, Hirokazu Kore-eda, Japan
  • 1 Comment

A terrific and beautifully-shot melodrama full of warmth and pathos as Kore-eda invites and immerses us into the lovely world of three adult sisters and their much younger half-sister who has come to join them.

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Rating: 4 out of 5.

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July 1, 2023 by Eternality Tan

Monster (2023)

  • Kore-eda, Hirokazu
  • 2023, Hirokazu Kore-eda, Japan
  • 5 Comments

This is Kore-eda operating at his peak as he delivers one of 2023โ€™s finest films with this intricately-structured and revelatory drama about the blind spots in our understanding of human behaviour and empathy.ย 

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Rating: 4.5 out of 5.

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June 20, 2022June 20, 2022 by Eternality Tan

Broker (2022)

  • Kore-eda, Hirokazu
  • 2022, Hirokazu Kore-eda, South Korea
  • 1 Comment

Itโ€™s more of the same from Kore-eda, but transplanted into a Korean setting, in this heartening mid-tier drama about characters trying to remain human despite not always being on the good side of the law. 

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Rating: 3.5 out of 5.

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January 5, 2020 by Eternality Tan

Truth, The (2019)

  • Kore-eda, Hirokazu
  • 2019, France, Hirokazu Kore-eda, Japan
  • 1 Comment

Despite its seemingly modest if meta-cinematic setup, Kore-edaโ€™s first film made in the West with big stars reveals layers of subtlety and emotions that creep up genteelly to the surface.

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Rating: 3.5 out of 5.

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April 27, 2019November 30, 2021 by Eternality Tan

Shoplifters (2018)

  • Kore-eda, Hirokazu
  • 2018, Hirokazu Kore-eda, Japan
  • 3 Comments

Not his very best, but Kore-eda has an intuitive way of working with children, and this ensemble piece illustrates with delicate ease the filmmakerโ€™s longstanding preoccupation with relational dynamics within the family unit.

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Rating: 3.5 out of 5.
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April 27, 2019July 6, 2023 by Eternality Tan

Third Murder, The (2017)

  • Kore-eda, Hirokazu
  • 2017, Hirokazu Kore-eda, Japan
  • 2 Comments

Kore-eda changes his own scenery with a genre film in this largely humanistic if didactic legal procedural about a murky murder.

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Rating: 3.5 out of 5.
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April 21, 2019March 12, 2021 by Eternality Tan

After the Storm (2016)

  • Kore-eda, Hirokazu
  • 2016, Hirokazu Kore-eda, Japan
  • 1 Comment

Not one of the master’s finest, but Koreeda’s subtle touch continues to bring warmth and insight to the complexity of modern family relations.

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Rating: 3.5 out of 5.
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April 21, 2019June 16, 2022 by Eternality Tan

Still Walking (2008)

  • Criterion Collection, Kore-eda, Hirokazu
  • 2008, Hirokazu Kore-eda, Japan
  • 6 Comments

Koreedaโ€™s mastery of the subtle gives this drama an emotional weight as pure as life itself.

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Rating: 4.5 out of 5.
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April 21, 2019June 16, 2022 by Eternality Tan

Like Father, Like Son (2013)

  • Kore-eda, Hirokazu
  • 2013, Hirokazu Kore-eda, Japan
  • 8 Comments

One of the year’s very best, this new Koreeda feature is thematically dense, yet plays out in a highly resonating and honest way about human relationships.

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Rating: 4.5 out of 5.
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April 17, 2019April 17, 2024 by Eternality Tan

After Life (1998)

  • Criterion Collection, Kore-eda, Hirokazu
  • 1998, Hirokazu Kore-eda, Japan
  • 12 Comments

Kore-edaโ€™s second fiction feature sees him take on themes of memory and the afterlife through a meta-cinematic lens.

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Rating: 3.5 out of 5.
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