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Eternality Tan

Hailing from Singapore & writing about cinema since 2007

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Leningrad Cowboys Go America (1989)

February 17, 2026February 17, 2026 by Eternality Tan

Outguess ET 2026 – Oscars Prediction Contest

February 13, 2026 by Eternality Tan

All the Beauty and the Bloodshed (2022)

February 10, 2026February 19, 2026 by Eternality Tan

Sentimental Value (2025)

February 6, 2026February 16, 2026 by Eternality Tan

Celebration, The (1998)

January 30, 2026 by Eternality Tan

2,000 Meters to Andriivka (2025)

January 24, 2026January 24, 2026 by Eternality Tan

Distant (2002)

January 19, 2026 by Eternality Tan

Palestine 36 (2025)

January 12, 2026January 12, 2026 by Eternality Tan

Golden Globes 2026 Prediction

January 11, 2026January 12, 2026 by Eternality Tan

Ikiru (1952)

January 4, 2026January 12, 2026 by Eternality Tan

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Category / Assayas, Olivier

May 10, 2024 by Eternality Tan

Disorder (1986)

  • Assayas, Olivier
  • 1986, France, Olivier Assayas
  • 1 Comment

Assayasโ€™ first feature isnโ€™t really great but it still is an enigmatic treatise on the tension between youthful idealism and fatalism as a group of friends with music ambitions rethink their existence after a plan goes awry, leaving blood in their hands.

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Rating: 3 out of 5.

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December 7, 2022December 7, 2022 by Eternality Tan

Demonlover (2002)

  • Assayas, Olivier
  • 2002, France, Olivier Assayas
  • 3 Comments

Misunderstood when first released, this is one of Assayasโ€™ most prophetic works, a cyber spy-thriller dealing with corporate espionage in the disturbing milieu of the burgeoning dark web and manga porn.    

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Rating: 4 out of 5.

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November 18, 2020December 7, 2022 by Eternality Tan

Boarding Gate (2007)

  • Assayas, Olivier
  • 2007, France, Olivier Assayas
  • 2 Comments

A lacklustre first half plagues Assayasโ€™ globetrotting โ€˜thrillerโ€™ about corporate and personal manipulation, but it gets better and features Asia Argento in a strong performance. 

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Rating: 3 out of 5.

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August 17, 2020June 24, 2024 by Eternality Tan

Irma Vep (1996)

  • Assayas, Olivier, Criterion Collection
  • 1996, France, Olivier Assayas
  • 3 Comments

This meta-cinematic, self-reflexive experiment by Assayas is one of his most fascinating films, featuring an alluring Maggie Cheung in latex. 

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Rating: 4 out of 5.

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June 24, 2020April 17, 2024 by Eternality Tan

Wasp Network (2019)

  • Assayas, Olivier
  • 2019, France, Olivier Assayas, Spain
  • Leave a comment

Even a master filmmaker can misfire big time in this shallow and messy star-studded stab at telling the narrative of the infamous โ€˜Cuban Fiveโ€™.

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Rating: 2.5 out of 5.

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February 2, 2019November 21, 2022 by Eternality Tan

Personal Shopper (2016)

  • Assayas, Olivier, Criterion Collection
  • 2016, France, Olivier Assayas
  • 5 Comments

Olivier Assayas’ beguiling take on the โ€˜ghost story’, made with a blend of sensuality and tension, and backed by a stirring turn by Kristen Stewart.

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Rating: 4 out of 5.
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February 2, 2019November 21, 2022 by Eternality Tan

Clouds of Sils Maria (2014)

  • Assayas, Olivier, Criterion Collection
  • 2014, France, Olivier Assayas
  • 4 Comments

In some way a loose thematic companion piece to Cronenbergโ€™s “Maps to the Stars”, but with greater dramatic introspection, though not necessarily tight enough to soar.

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Rating: 3.5 out of 5.
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January 29, 2019November 21, 2022 by Eternality Tan

Non-Fiction (2018)

  • Assayas, Olivier
  • 2018, France, Olivier Assayas
  • 1 Comment

Assayasโ€™ new film is talky in the very best sense, capturing themes of digitalisation and socialisation with effortless ease.

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Rating: 4 out of 5.
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January 27, 2019January 29, 2022 by Eternality Tan

Something in the Air (2012)

  • Assayas, Olivier
  • 2012, France, Olivier Assayas
  • 2 Comments

Assayas’ latest captures the dreams and hopes of revolutionary European youths post-May 1968 through an eye-opening prism-memory of politics and art.

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Rating: 3.5 out of 5.
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January 27, 2019December 7, 2022 by Eternality Tan

Clean (2004)

  • Assayas, Olivier
  • 2004, Canada, France, Olivier Assayas
  • 7 Comments

Backed by a terrific performance by Cannes Best Actress winner Maggie Cheung, Assayas explores the theme of redemption through the inner workings of head and heart.

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Rating: 3.5 out of 5.
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